absolut tight, somehow subversive

You take some Okinawa 69 and mix it with a good portion Bruno Tait and already you have the roughest visual dynamite ready.

The DJ/VJ-Duo Okinawa 69 has been well known since the middle of the nineties in the context of images from light and flexible DJ-Sets. In the year 2000 Bruno Tait entered the stage of the night and together the collective brOK was founded, devoted from now on to make music not only audible, but also visible. Real images and computer generated vector-worlds are mixed in the club context. Monochrome picture images change to flaming light-shapes. Abstract interrupted views are in contrast to complex, clear 3D-worlds.

By means of light and fragments taken from every day life they paint a new world, which exists in the moment only, but in which you like to spend some time. Image worlds in the cycle of the rigorous beat or image worlds around the spoken word. For every moment the adequate visual implementation. Suddenly you can take a walk in the music.

The fact that brOK are absolutely worth seeing has gotten around quickly.

Selection club: WMF/ Watergate/ Tresor Berlin, Flex Wien, Nitsa/ Raum Barcelona, Vega Kopenhagen, Robert Johnson Frankfurt, The Club Sarajevo, Harry Klein Munic, Dachkantine Zurich, Space Ibiza
VJs Bruno Tait & Okinawa 69 are a fixed component of festivals like c/o pop, Melt! , Sonne, Mond & Sterne, Mayday, Nature One, UAF Wiesen, Monegros Spain, Loveparade, Sound:frame, PollerWiesen Zirkus and many more.

They are still resident VJs in the Cologne club Gewölbe, they visualize label gigs from Kompakt Köln to Mobilee Rec Berlin and Funkhaus Europa and do Live Tour Visuals such as for Supermayer or Anja Schneider.